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  THE BODY HUMAN

  THREE STORIES OF FUTURE MEDICINE

  NANCY KRESS

  Phoenix Pick

  An Imprint of Arc Manor

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  The Body Human: Three Stories of Genetic Engineering copyright © 2012 by Nancy Kress . All rights reserved. This book may not be copied or reproduced, in whole or in part, by any means, electronic, mechanical or otherwise without written permission from the publisher except by a reviewer who may quote brief passages in a review.

  This is a work of fiction. Any resemblance to any actual persons, events or localities is purely coincidental and beyond the intent of the author and publisher.

  Tarikian , TARK Classic Fiction, Arc Manor, Arc Manor Classic Reprints, Phoenix Pick, Phoenix Rider, Manor Thrift, The Stellar Guild Series, The Phoenix Science Fiction Classics Series and logos associated with those imprints are trademarks or registered trademarks of Arc Manor, LLC, Rockville , Maryland. All other trademarks and trademarked names are properties of their respective owners.

  This book is presented as is, without any warranties (implied or otherwise) as to the acc u racy of the production, text or translation

  “Evolution” by Nancy Kress. Copyright © 1995 by Nancy Kress. First published in Asimov’s Science Fiction , October 1995.

  “Fault Lines” by Nancy Kress. Copyright © 1995 by Nancy Kress. First published in Asimov’s Science Fiction , August 1995.

  “The Mountain to Mohammed” by Nancy Kress. Copyright © 1992 by Nancy Kress. First published in Isaac Asimov’s Science Fiction Magazine , April 1992.

  Digital Edition

  ISBN (Digital Edition): 978-1-61242-066-0

  ISBN (Paper Edition): 978-1-61242-065-3

  Published by Phoenix Pick

  an imprint of Arc Manor

  P. O. Box 10339

  Rockville, MD 20849-0339

  www.ArcManor.com

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  NANCY KRESS AT PHOENIX PICK

  Act One: A Novella

  Beggars in Spain: A Novella (Hugo/Nebula)

  Future Perfect: Six Stories of Genetic Engineering

  The Body Human: Three Stories of Future Medicine

  AI Unbound: Two Stories of Artificial Intelligence

  New Under the Sun (A Stellar Guild Book)

  Oaths and Miracles

  A t your favorite online store or at www.PhoenixPick.com

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  THE BODY HUMAN

  EVOLUTION

  “Somebody shot and killed Dr. Bennett behind the Food Mart on April Street!” Ceci Moore says breathlessly as I take the washing off the line.

  I stand with a pair of Jack’s boxer shorts in my hand and stare at her. I don’t like Ceci. Her smirking pushiness, her need to shove her scrawny body into the middle of every situation, even ones she’d be better off leaving alone. She’s been that way since high school. But we’re neighbors; we’re stuck with each other. Dr. Bennett delivered both Sean and Jackie. Slowly I fold the boxer shorts and lay them in my clothesbasket.

  “Well, Betty, aren’t you even going to say anything?”

  “Have the police arrested anybody?”

  “Janie Brunelli says there’s no suspects.” Tom Brunelli is one of Emerton’s police officers, all five of them. He has trouble keeping his mouth shut. “Honestly, Betty, you look like there’s a murder in this town every day!”

  “Was it in the parking lot?” I’m in that parking lot behind the Food Mart every week. It’s unpaved, just hard-packed rocky dirt sloping down to a low concrete wall by the river. I take Jackie’s sheets off the line. Belle, Ariel, and Princess Jasmine all smile through fields of flowers.

  “Yes, in the parking lot,” Ceci says. “Near the dumpsters. There must have been a silencer on the rifle, nobody heard anything. Tom found two .22 250 semi-automatic cartridges.” Ceci knows about guns. Her house is full of them. “Betty, why don’t you put all this wash in your dryer and save yourself the trouble of hanging it all out?”

  “I like the way it smells line-dried. And I can hear Jackie through the window.”

  Instantly Ceci’s face changes. “Jackie’s home from school? Why?”

  “She has a cold.”

  “Are you sure it’s just a cold?”

  “I’m sure.” I take the clothespins off Sean’s t-shirt. The front says SEE DICK DRINK. SEE DICK DRIVE. SEE DICK DIE. “Ceci, Jackie is not on any antibiotics.”

  “Good thing,” Ceci says, and for a moment she studies her fingernails, very casual. “They say Dr. Bennett prescribed endozine again last week. For the youngest Nordstrum boy. Without sending him to the hospital.”

  I don’t answer. The back of Sean’s t-shirt says DON’T BE A DICK. Irritated by my silence, Ceci says, “I don’t see how you can let your son wear that obscene clothing!”

  “It’s his choice. Besides, Ceci, it’s a health message. About not drinking and driving. Aren’t you the one that thinks strong health messages are a good thing?”

  Our eyes lock. The silence lengthens. Finally Ceci says, “Well, haven’t we gotten serious all of a sudden.”

  I say, “Murder is serious.”

  “Yes. I’m sure the cops will catch whoever did it. Probably one of those scum that hang around the Rainbow Bar.”

  “Dr. Bennett wasn’t the type to hang around with scum.”

  “Oh, I don’t mean he knew them. Some low-life probably killed him for his wallet.” She looks straight into my eyes. “I can’t think of any other motive. Can you?”

  I look east, toward the river. On the other side, just visible over the tops of houses on its little hill, rise the three stories of Emerton Soldiers and Sailors Memorial Hospital. The bridge over the river was blown up three weeks ago. No injuries, no suspects. Now anybody who wants to go to the hospital has to drive ten miles up West River Road and cross at the interstate. Jack told me that the Department of Transportation says two years to get a new bridge built.

  I say, “Dr. Bennett was a good doctor. And a good man.”

  “Well, did anybody say he wasn’t? Really, Betty, you should use your dryer and save yourself all that bending and stooping. Bad for the back. We’re not getting any younger. Ta-ta.” She waves her right hand, just a waggle of fingers, and walks off. Her nails, I notice, are painted the delicate fragile pinky white of freshly unscabbed skin.

  “You have no proof,” Jack says. “Just some wild suspicions.”

  He has his stubborn face on. He sits with his Michelob at the kitchen table, dog-tired from his factory shift plus three hours overtime, and he doesn’t want to hear this. I don’t blame him. I don’t want to be saying it. In the living room Jackie plays Nintendo frantically, trying to cram in as many electronic explosions as she can before her father claims the TV for Monday night football. Sean has already gone out with his friends, before his stepfather got home.

  I sit down across from Jack, a fresh mug of coffee cradled between my palms. For warmth. “I know I don’t have any proof, Jack. I’m not some detective.”

  “So let the cops handle it. It’s their business, not ours. You stay out of it.”

  “I am out of it. You know that.” Jack nods. We don’t mix with cops, don’t serve on any town committees, don’t even listen to the news much. We don’t get involved with what doesn’t concern us. Jack never did. I add, “I’m just telling you what I think. I can do that, can’t I?” and hear my voice stuck someplace between pleading and anger.

  Jack hears it, too. He scowls, stands with his beer, puts his hand
gently on my shoulder. “Sure, Bets. You can say whatever you want to me. But nobody else, you hear? I don’t want no trouble, especially to you and the kids. This ain’t our problem. Just be grateful we’re all healthy, knock on wood.”

  He smiles and goes into the living room. Jackie switches off the Nintendo without being yelled at; she’s good that way. I look out the kitchen window, but it’s too dark to see anything but my own reflection, and anyway the window faces north, not east.

  I haven’t crossed the river since Jackie was born at Emerton Memorial, seven years ago. And then I was in the hospital less than twenty-four hours before I made Jack take me home. Not because of the infections, of course—that hadn’t all started yet. But it has now, and what if next time instead of the youngest Nordstrum boy, it’s Jackie who needs endozine? Or Sean?

  Once you’ve been to Emerton Memorial, nobody but your family will go near you. And sometimes not even them. When Mrs. Weimer came home from surgery, her daughter-in-law put her in that back upstairs room and left her food on disposable trays in the doorway and put in a chemical toilet. Didn’t even help the old lady crawl out of bed to use it. For a whole month it went on like that—surgical masks, gloves, paper gowns—until Rosie Weimer was positive Mrs. Weimer hadn’t picked up any mutated drug-resistant bacteria in Emerton Memorial. And Hal Weimer didn’t say a word against his wife.

  “People are scared, but they’ll do the right thing,” Jack said, the only other time I tried to talk to him about it. Jack isn’t much for talking. And so I don’t. I owe him that.

  But in the city—in all the cities—they’re not just scared. They’re terrified. Even without listening to the news I hear about the riots and the special government police and half the population sick with the new germs that only endozine cures—sometimes. I don’t see how they’re going to have much energy for one murdered small-town doctor. And I don’t share Jack’s conviction that people in Emerton will automatically do the right thing. I remember all too well that sometimes they don’t. How come Jack doesn’t remember, too?

  But he’s right about one thing: I don’t owe this town anything.

  I stack the supper dishes in the sink and get Jackie started on her homework.

  The next day, I drive down to the Food Mart parking lot.

  There isn’t much to see. It rained last night. Next to the dumpster lie a wadded-up surgical glove and a piece of yellow tape like the police use around a crime scene. Also some of those little black cardboard boxes from the stuff that gets used up by the new holographic TV cameras. That’s it.

  “You heard what happened to Dr. Bennett,” I say to Sean at dinner. Jack’s working again. Jackie sits playing with the Barbie doll she doesn’t know I know she has on her lap. Sean looks at me sideways, under the heavy fringe of his dark bangs, and I can’t read his expression. “He was killed for giving out too many antibiotics.”

  Jackie looks up. “Who killed the doctor?”

  “The bastards that think they run this town,” Sean says. He flicks the hair out of his eyes. His face is ashy gray. “Fucking vigilantes’ll get us all.”

  “That’s enough, Sean,” I say.

  Jackie’s lip trembles. “Who’ll get us all? Mommy…”

  “Nobody’s getting anybody,” I say. “Sean, stop it. You’re scaring her.”

  “Well, she should be scared,” Sean says, but he shuts up and stares bleakly at his plate. Sixteen now, I’ve had him for sixteen years. Watching him, his thick dark hair and sulky mouth, I think that it’s a sin to have a favorite child. And that I can’t help it, and that I would, God forgive me, sacrifice both Jackie and Jack for this boy.

  “I want you to clean the garage tonight, Sean. You promised Jack three days ago now.”

  “Tomorrow. Tonight I have to go out.”

  Jackie says, “Why should I be scared?”

  “Tonight,” I say.

  Sean looks at me with teenage desperation. His eyes are very blue. “Not tonight. I have to go out.”

  Jackie says, “Why should I—”

  I say, “You’re staying home and cleaning the garage.”

  “No.” He glares at me, and then breaks. He has his father’s looks, but he’s not really like his father. There are even tears in the corners of his eyes. “I’ll do it tomorrow, Mom, I promise. Right after school. But tonight I have to go out.”

  “Where?”

  “Just out.”

  Jackie says, “Why should I be scared? Scared of what? Mommy!”

  Sean turns to her. “You shouldn’t be scared, Jack-o-lantern. Everything’s going to be all right. One way or another.”

  I listen to the tone of his voice and suddenly fear shoots through me, piercing as childbirth. I say, “Jackie, you can play Nintendo now. I’ll clear the table.”

  Her face brightens. She skips into the living room and I look at my son. “What does that mean? ‘One way or another’? Sean, what’s going on?”

  “Nothing,” he says, and then despite his ashy color he looks me straight in the eyes, and smiles tenderly, and for the first time—the very first time—I see his resemblance to his father. He can lie to me with tenderness.

  Two days later, just after I return from the Food Mart, they contact me.

  The murder was on the news for two nights, and then disappeared. Over the parking lot is scattered more TV-camera litter. There’s also a wine bottle buried halfway into the hard ground, with a bouquet of yellow roses in it. Nearby is an empty basket, the kind that comes filled with expensive dried flowers at Blossoms by Bonnie, weighted down with stones. Staring at it, I remember that Bonnie Widelstein went out of business a few months ago. A drug-resistant abscess, and after she got out of Emerton Memorial, nobody on this side of the river would buy flowers from her.

  At home, Sylvia James is sitting in my driveway in her black Algol. As soon as I see her, I put it together.

  “Sylvia,” I say tonelessly.

  She climbs out of the sports car and smiles a social smile. “Elizabeth! How good to see you!” I don’t answer. She hasn’t seen me in seventeen years. She’s carrying a cheese kuchen, like some sort of key into my house. She’s still blonde, still slim, still well dressed. Her lipstick is bright red, which is what her face should be.

  I let her in anyway, my heart making slow hard thuds in my chest. Sean. Sean.

  Once inside, her hard smile fades and she has the grace to look embarrassed. “Elizabeth—”

  “Betty,” I say. “I go by Betty now.”

  “Betty. First off, I want to apologize for not being…for not standing by you in that mess. I know it was so long ago, but even so, I—I wasn’t a very good friend.” She hesitates. “I was frightened by it all.”

  I want to say, You were frightened? But I don’t.

  I never think of the whole dumb story anymore. Not even when I look at Sean. Especially not when I look at Sean.

  Seventeen years ago, when Sylvia and I were seniors in high school, we were best friends. Neither of us had a sister, so we made each other into that, even though her family wasn’t crazy about their precious daughter hanging around with someone like me. The Goddards live on the other side of the river. Sylvia ignored them, and I ignored the drunken warnings of my aunt, the closest thing I had to a family. The differences didn’t matter. We were Sylvia-and-Elizabeth, the two prettiest and boldest girls in the senior class who had an academic future.

  And then, suddenly, I didn’t. At Elizabeth’s house I met Randolf Satler, young resident in her father’s unit at the hospital. And I got pregnant, and Randy dumped me, and I refused a paternity test because if he didn’t want me and the baby I had too much pride to force myself on any man. That’s what I told everyone, including myself. I was eighteen years old. I didn’t know what a common story mine was, or what a dreary one. I thought I was the only one in the whole wide world who had ever felt this bad.

  So after Sean was born at Emerton Memorial and Randy got engaged the day I moved my baby “home” to my dy
ing aunt’s, I bought a Smith & Wesson revolver in the city and shot out the windows of Randy’s supposedly empty house across the river. I hit the gardener, who was helping himself to the Satler liquor cabinet in the living room. The judge gave me seven-and-a-half to ten, and I served five, and that only because my lawyer pleaded post-partum depression. The gardener recovered and retired to Miami, and Dr. Satler went on to become Chief of Medicine at Emerton Memorial and a lot of other important things in the city, and Sylvia never visited me once in Bedford Hills Correctional Facility. Nobody did, except Jack. Who, when Sylvia-and-Elizabeth were strutting their stuff at Emerton High, had already dropped out and was bagging groceries at the Food Mart. After I got out of Bedford, the only reason the foster-care people would give me Sean back was because Jack married me.

  We live in Emerton, but not of it.

  Sylvia puts her kuchen on the kitchen table and sits down without being asked. I can see she’s done with apologizing. She’s still smart enough to know there are things you can’t apologize for.

  “Eliz…Betty, I’m not here about the past. I’m here about Dr. Bennett’s murder.”

  “That doesn’t have anything to do with me.”

  “It has to do with all of us. Dan Moore lives next door to you.”

  I don’t say anything.

  “He and Ceci and Jim Dyer and Tom Brunelli are the ringleaders in a secret organization to close Emerton Memorial Hospital. They think the hospital is a breeding ground for the infections resistant to every antibiotic except endozine. Well, they’re right about that—all hospitals are. But Dan and his group are determined to punish any doctor who prescribes endozine, so that no organisms develop a resistance to it, too, and it’s kept effective in case one of them needs it.”

  “Sylvia,”—the name tastes funny in my mouth, after all this time—“I’m telling you this doesn’t have anything to do with me.”